Wednesday, October 28, 2015

THE ABSOLUTELY TRUE DIARY OF A PART-TIME INDIAN by Sherman Alexie. Art by Ellen Forney






Alexie, Sherman. The Absolutely True Diary of a Part-Time Indian.  Art by Ellen Forney.    New York:  Little Brown & Co. 2007. ISBN 9780316013680
Audio Version: 
Alexie, Sherman. The Absolutely True Diary of a Part-Time Indian. Narrated by Sherman       Alexie, New York: Recorded Books LLC. 2008.  ISBN 9781428182974

In Sherman Alexie’s own words, The Absolutely True Diary of a Part-Time Indian ismy autobiographical story of a poor reservation Indian boy and his desperate and humorous attempts to find a better life.”  (Alexie, 2011) This volume is on most book lists as an acceptable example of authentic Native American literature.  (Actually it’s on all the recent lists I’ve seen so far.)  If you are a teacher or librarian of middle school or high school students, it should already be on your shelves. 
 
Sherman Alexie has achieved much respect and recognition for his writing and creative talents.  The Absolutely True Diary of a Part-Time Indian is one of his best known works having won numerous awards such as the American Indian Youth Literature Award for 2008 and the National Book Award for Young People’s Literature for 2007.  Additionally, the audio version read by Alexie won the 2009 Odyssey Award.  School Library Journal named it one of the “Best Books of 2007.”

As much as it has been awarded, this book has also been the subject of controversy and even banned in some school libraries.  There is no question that the story contains adult situations, tragedy, irreverence, and profanity, but the message is also worthy.  Reading consultant, Dr. Karen Gibson, surveys “very rough language, very beautiful message.”

Alexie tells his story in titled episodic chapters embellished with cartoon drawings by Ellen Forney.  The cartoons are represented as the personal cartoons drawn by the protagonist, Arnold Spirit, Jr. aka Junior.  Junior is convinced by his math teacher that he must leave the reservation if he is to have any hope for his future.  He thus decides to enroll in a white school 22 miles away and begins his life as a “part-time” Indian. He faces racism at the white school and rejection from his tribe.  

Alexie does not shy away from addressing Native American stereotypes.  He balances the good and evil attributes of his nationality with brutal honesty and piercing humor.  For example, on page 183 Junior explains, “On the rez, you know every kid’s father, mother grandparents, dog, cat, and shoe size. I mean, yeah, Indians are screwed up, but we’re really close to each other.  We KNOW each other.  Everybody knows everybody.”  Alternately, on page 205, Junior, facing a family tragedy, rages internally, “OF COURSE THEY WERE DRUNK! THEY’RE INDIANS!”  He muses in grief that at age 14 he had been to 42 funerals. Ninety percent of the deaths were alcohol related, and he knew only 5 people in his tribe who had never had alcohol. On a different subject, Junior metaphorically rolls his eyes at whites by saying “Do you know how many white strangers show up on Indian reservations every year and start telling Indians how much they love them?  Thousands.  It’s sickening. And boring.”

It is a testament to Alexie’s talent that he can write a story filled with pain yet bathed in humor and joy.  School Library Journal says, “Sherman provides a glimpse into an unfamiliar culture and maintains a balance between the bleak reality of reservation life and the stunning beauty of a loving family and friendship.”  I highly recommend the Odyssey winning audio version read by Alexie himself, but the book version is equally important because of the cartoons which Book List notes “often provide more insight than the narrative.”  

This book is appropriate for older students and its inclusion into the classroom curriculum would be beneficial for youth navigating issues with alcoholism, abuse, racism, and rejection.  I would also recommend an article written by Alexie in the Wall Street Journal in defense of his controversial subject matter.  His article is entitled, “Why the Best Kids Books Are Written in Blood.”  He explains, “I write in blood because I remember what it felt like to bleed.”

Works Cited

Alexie, S. (2011, June 9). Why the Best Kids Books Are Written in Blood. The Wall Street Journal.






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